The Dialogic Imaginationpresents, in superb English translation, four selections fromVoprosy literatury i estetiki(Problems of literature and esthetics), published in Moscow in 1975. According to John Sturrock, for Bakhtin the novel is "the most complete and the most democratic of genres, coming as close as it is possible for an artform to come to capturing the multiplicity, richness and zest of life itself.Summary: These essays reveal Mikhail Bakhtin (1895-1975)-known in the West largely through his studies of Rabelais and Dostoevsky-as a philosopher of language, a cultural historian, and a major theoretician of the novel. Language, in Bakhtin's view, is inherently dialogic, and the novel is the literary genre that has the greatest capacity to artistically represent this reality. In this sense novelistic discourse undermines absolute or authoritative (monologic) language, which is revealed to be merely one form of ideological expression operating within an essentially intersubjective medium. The novel, unlike other literary forms, embraces heterogeneity in discourse and meaning: it re-creates a reality that is based on the interactions of a variety of subjective consciousnesses and ways of thinking and speaking about the world. The title refers to the central place of the concept of dialogue in Bakhtin's theory of the novel. According to Holquist, the unifying theme of the essays is "the novel and its relation to language." Holquist and Emerson chose the essays from a collection of six essays by Bakhtin published in Moscow under the title Вопросы литературы и естетиҡи ( Voprosy literatury i estetiki Problems of Literature and Aesthetics). It was edited and translated into English by Michael Holquist and Caryl Emerson, who gave the work its English title. Bakhtin) is a book on the nature and development of novelistic prose, comprising four essays by the twentieth century Russian philosopher and literary theorist Mikhail Bakhtin. The Dialogic Imagination (full title: The Dialogic Imagination: Four Essays by M.
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